![]() His approach to music should give a hint of the kind of sounds to expect from Synthi V: experimental, innovative and leftfield. If we had to pick an artist most closely associated with the Synthi, Brian Eno would probably top the shortlist. Since then it’s found its niche in experimental rock and psychedelic music and when bands want an endearing lo-fi keyboard sound. It’s best known as that woozy, warbling flute intro to the Beatles’ Strawberry Fields, or the keyboard backing ’60s hits like David Bowie’s Space Oddity and Procol Harum’s A Whiter Shade of Pale. Vaguely similar to a modern sampler but using a strip of magnetic tape for each key instead of digital storage, the Mellotron allowed rough approximations of things, like string sounds, brass and choirs, to be played back polyphonically, years before the first samplers hit the market. There are a few ROMplers around, and XILS Lab’s XILS 3 is based on the similar VCS3, but Synthi V is the most serious virtual Synthi instrument to date.įirst released in 1963, the Mellotron remains a unique keyboard instrument. The Synthi is a surprisingly underrepresented synth in the software world considering its contribution to electronic music. Synthi V, modelled on the 1972 EMS Synthi AKS, sits nicely alongside Buchla Easel V as a more out-there sub-section of V Collection synth options. There simply isn’t enough space to go into detail about everything here, so we’ll focus on the three biggest additions and see what they bring to the party. Elsewhere, B-3 V, the Hammond organ instrument, has had its sound engine overhauled, while Analog Lab has been updated to version 4, plus there are around 800 new presets for legacy instruments in the form of Synthopedia. ![]() This time around there are three further additions in the form of Casio CZ, Mellotron and EMS Synthi instruments. ![]() Version 6 of the V Collection bundle, released early last year, added four new instruments (emulations of the Yamaha DX7, Buchla Music Easel, Fairlight CMI and Hohner Clavinet). Since then, the company has branched out into digital synths, more modern classics and non-electronic keyboards, including pianos and organs. Since its inception, Arturia’s main focus over all else has been emulating vintage analogue synths. ![]()
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